The instruction manual is semi-helpful, but if you don't know IT and networking, it can drive you somewhat batty, so pay attention to this. Setting up the 2 M/E is fairly simple, if you remember a couple of things. There are RCA inputs and XLR inputs and outputs.īlackmagic Design also sent along the 1 M/E control panel, two heavy duty HDMI-to-HD-SDI Mini Converters, and one component-to-HD-SDI Mini Converter for good measure. Being able to have the audio booth send me a feed from the sound board and to send the audio booth playback audio from video sources is incredibly important. While the majority of live video production has digital audio embedded in the signal, the audio in many live-event productions is still largely analog. I found the inclusion of analog audio I/Os exceedingly helpful. The first input can be switched between HD-SDI and a single HDMI input, along with four SDI and one HDMI program outputs, and SDI and HDMI multi-view outputs. On the back of the unit are 20 6G-SDI (Ultra-HD) inputs. The main unit also features redundant power supplies, in case one fails during a live show. It also allows you to switch the output of the AUX buses-in case your control panel or computer dies while in production, you have the option (before it happens) to set up to allow live switching from those buttons. The physical hardware difference is obvious, and the 2 M/E is 2 RU, with buttons that allow you to preview the inputs on its own built-in five-inch monitor. They both have four wheels and an engine, but one gives you a lot more features for the increase in price. ![]() While they possess many similar features, it’s like comparing a Jeep Wrangler to a Cadillac Escalade. ![]() Since I did that review, my clients have been pushing the capabilities of that little switcher, and I decided to look at the other end of BMD's spectrum, the ATEM 2 M/E switcher. This Powerful Switcher Has Lots of Inputs and Easy-to-Use Controls, Once You Get It Set UpĪbout three years ago I reviewed the Blackmagic Design ATEM TV Studio for another publication, and was astounded that you could get a full 1080i HD live production switcher for under $1,000.
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